
The Pro Convert Audio DX is the more capable sibling of the Pro Convert AES67. Where the AES67 converts in one direction only (IP audio to analogue and AES3), the Audio DX works in both directions simultaneously. It converts between AES67 or Dante IP audio and analogue or AES3 at the same time, making it a genuine two-way bridge between IP and traditional audio worlds.
At £431, it costs more than the one-way AES67 unit, but for workflows where bidirectional audio conversion is needed, it replaces two separate devices and simplifies infrastructure considerably.
A typical broadcast or live production environment has audio flowing in multiple directions. Microphone and analogue signals need to be sent into an IP audio network for routing and distribution. At the same time, IP audio from that network needs to come back out to analogue outputs, monitoring equipment, or AES3-connected gear. The Audio DX handles both flows through a single unit, managed from a single web interface, using a single PoE network connection.
This is particularly relevant in hybrid facilities where an IP audio network sits alongside a traditional analogue infrastructure that cannot be replaced all at once. Rather than buying an IP receiver and a separate IP transmitter, the Audio DX covers both directions from one device at one position.
The Pro Convert Audio DX supports AES67 and Dante on the IP side, and analogue line level and AES3 (AES/EBU) on the traditional side. AES67 is the open IEEE and AES standard for IP audio transport. Dante is Audinate's commercial implementation, widely used across professional broadcast and live production equipment from major manufacturers including Yamaha, Shure, QSC, and many others. Full compatibility with both means the Audio DX works across the broadest possible range of IP audio environments.
Compared to buying two unidirectional converters, the Audio DX is more compact, uses fewer network ports and rack positions, draws less total power, and provides a single management point for both conversion directions. For a permanent installation, that simplicity reduces ongoing maintenance overhead. For mobile use, it reduces kit weight and connection complexity.
Bridge Dante audio networks with NDI-based production systems without a dedicated audio workstation.
Route audio between Dante, NDI, and analogue systems in enterprise AV or broadcast facility infrastructure.
Connect mixing consoles (Dante) to IP production workflows (NDI) for hybrid live events.
Distribute audio from Dante sources to NDI production systems or recording workflows.